Tshwala is a stern warning about using alcohol to heal and numb one’s pain. It is about those who use alcohol to deal with issues instead of confronting them head-on.

The single came after months of his romantic Amapiano hit titled Crush Yam alongside Mawhoo, Optimist Music ZA and BoontleRSA.

The producer and DJ plans to dominate the year 2026 with even more hits and international moves.

Airburn Sounds has completed his long-awaited EP and will release his first single of 2026 at the end of January.

“I took almost two years working on the music, and every week. It has taken a lot of sleepless nights, long hours and collaborations with already established artists who showed their support and love for the sound,” he said.

With no finalised title as yet, the upcoming project will feature artists such as Zuma of the Amaroto duo, LeemCrazy, Lintonto, Aza, Soulful G, Lowsheen, MaWhoo, and many others.

“Everyone’s role in the music has been significant, and I appreciate the effort and creativity they put in. There are new sub-genres within the Amapiano sound that are developing. I started producing Hip-Hop and Afro beats, and have been able to produce any style of music I want. So, my Amapiano sound is a mix of Soul, dance, Sgidongo, Sgija, Afrobeats, and just something really different to what we are used to, and I am certain everyone will love it, both young and old,” he said.

With origins from Limpopo and raised in both Alexandra and Ebony Park in Tembisa, Airburn Sounds started producing at the age of nine years old.

He won his first DJ competition at 15 years old.

“I have been working and developing my craft. I have been influenced by many sounds and cultures. This year, people will get to hear my real style.”

He has produced for the likes of Makhadi, Moncebo Zikode, Mphowabadimo, Zanda Zakuza,and internationally he has worked with USA/Senegalese artist Akon and produced for the Jamaican artist Ka$e.

“I plan to have more international collaborations this year, more travels, and experimenting with different sounds,” he said.

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Real name is Sanele Sithole, Sun-El Musician fourth studio album called “Under the Sun.”

Sun-El Musician’s fourth album reintroduces long-time collaborators Msaki, Ami Faku and Mthunzi and music heavyweights which includes Zakes Bantwini, Chronical Deep, Youngr, Heavy-K, Thakzin, Manana, Nasty C and Deborah Cox toentiom the few.

Sun-El Musician is also introducing Monna Hela, Mavhungu Mueda, Sai Hle, and Tefo Foxx.

Sun-El Musician will gifts fans a special sampler for now and release the full album on 13 February 2026.

The sampler includes key tracks like Umlungu Wami with Grammy-winner Zakes Bantwini, Imali featuring Ami Faku & Teffo Foxx, Muloro with Thakzin and Mavhungu.

“This summer sampler is a reflection of where my heart is creatively warm, intentional, and open. I hope listeners feel the love and honesty behind every sound,” he said.

He said: “Under the Sun, a new chapter, a new energy, and a new season for South African dance music.”

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Under the theme “Flowers For Those Who Keep Our Nation Singing,” the awards made a clear statement: celebrate artists while their voices are still resonant, while the music is still breathing.

Goldmax emerged as one of the night’s defining figures. His album Play At Your Own Risk claimed Album of the Year and Best Gqom Album, earning him Male Artist of the Year and firmly positioning gqom at the centre of the national conversation.

Towering with quiet authority was Thandiswa Mazwai, whose album Sankofa dominated the ceremony. She was named Female Artist of the Year and walked away with Best African Adult Contemporary Album, Best Engineered Album, and Best Produced Album a masterclass in intention, memory and musical return.

Collective power was celebrated through Black Motion, who won Duo or Group of the Year and Best Collaboration for Takala, reinforcing the enduring strength of unity in South African music.

The future was ushered forward with purpose as Nontokozo Mkhize claimed Newcomer of the Year for Lindiwe a debut rooted in faith, feeling and promise.

Across genres, the awards reflected the breadth of the country’s sonic landscape. Kelvin Momo won Best Amapiano Album for Ntsako; Dlala Thukzin took Best Dance Album for Finally Famous Too, 25K secured Best Hip Hop Album for Loyal To The Plug: The Life & Times of Don Kilograms, Sjava won Best Afro Pop Album for Isibuko (Deluxe); and Khuzani was honoured with Best Maskandi Album for Angidlali Nezingane. In jazz, Peter Auret received Best Jazz Album for Hope Dies Last.

Technical and artistic excellence were also foregrounded. Shekhinah won Best Produced Music Video for Risk, while awards for adult contemporary, rock, reggae, traditional, alternative and faith based music underscored the depth of South Africa’s creative ecosystem.

Beyond the country’s borders, Nigerian star Ayra Starr received the Rest of Africa Award for The Year I Turned 21 , reinforcing South Africa’s place within a broader continental rhythm.

More than a spectacle, SAMA31 functioned as dialogue between elders and newcomers, between tradition and innovation, between memory and momentum. Elegance on the red carpet mirrored intention on stage, and the performances reminded audiences why live music moments still matter.

As the final notes faded, one truth remained clear: SAMA31 was not only a celebration of excellence, but a living archive of South African sound giving artists their flowers, in real time.

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Marking a powerful new chapter, this is her first official release under her own label ‘AttaGirl Music Group’, and the title couldn’t be more fitting.

“Higher” is an uplifting anthem, a motivational tribute to the unseen forces, inner strength, and divine energy that continue to elevate us beyond limitations. It’s a celebration of growth, purpose, and rising into new levels of being.

Blending the electrifying Afro-tech beats from Kenza with Nana’s soul-touching lyrics that express gratitude and joy, this is definitely a combination that will make you have this jam on repeat.

While fans (old and new) indulge in Nana’s new music offering, they can also be excited to learn that she has an upcoming album that will be released soon.

Higher is out on all streaming platforms

https://awal.ffm.to/higher

Download Assets

[HIGHER PROMO ASSETS]

ABOUT NANA ATTA

Nana Atta (real name Sinenhlanhla Mthembu) is a dynamic and seasoned vocalist and songwriter from KwaZulu-Natal, with over 15 years of experience in the entertainment industry. Her sonic palette spans R&B, Afro-Pop, AfroHouse, and AfroTech, making her one of South Africa’s most versatile talents.

Known for her bold lyrics, powerful vocal range, and captivating stage presence, Nana Atta’s live performances are soulful, energetic, and unforgettable. Her songwriting capabilities, honed over years of collaboration and creative development, have led her to work with some of the industry’s most respected names — Zakes Bantwini, Sun-El Musician, Da Capo, Mo Black, Thandi Draai, K.O., and others.

As a featured artist, Nana contributed her distinctive voice to:

“Osama” by Zakes Bantwini & Kasango — #1 on SA radio for 11 weeks, platinum status

“iMali” by Karyendasoul & Zakes Bantwini — #8 radio debut, climbed to #1

“Say You Will” with Nandi Madida & K.O.

She has graced the stage with icons such as Riky Rick, Lira, Ringo Madlingozi, among others.

A career highlight includes being selected for She Is The Music, an initiative led by Alicia Keys with industry legends Ann Mincieli and Sam Kirby, celebrating pioneering women in music.

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