The couple, who met on Big Brother Mzansi Season 3 and quickly became fan favourites, announced their separation on Saturday — sending shockwaves across social media.

Their love story, which blossomed in front of millions of viewers, had positioned them as one of South Africa’s most admired young couples. From reality TV romance to marriage and television appearances, including roles on Generations: The Legacy, their journey appeared picture-perfect — until now.

Breaking her silence, Thato took to social media with an emotional statement, revealing that the relationship had reached a breaking point.

“I would like to address something personal and important. After three years of marriage, Gashwan Brandon Mthombeni and I are no longer together,” she said.

She revealed that recent incidents — which she described as “irreconcilable” — forced her to make the difficult decision to walk away.

“Following incidents that happened the past few days that are irreconcilable by my standards and values, I have made the decision to walk away.”

Thato confirmed that both families have already met to address the situation, and that her decision has been clearly communicated in his presence.

Despite the split, she urged the public not to turn the situation into a social media battle.

“I respectfully ask that this does not turn into a Thato vs Gash1 battle. We met, fell in love, and tried building a family to the best of our abilities.”

In a deeply personal moment, she admitted the emotional toll of the breakup, especially as a mother.

“I am heartbroken, but I need to soldier on and continue working.”

She also opened up about the painful reality of raising her child alone — something she never envisioned.

“I would have never wanted to raise my child alone. However, there are certain non-negotiables I cannot compromise on. I will not betray myself.”

Thato made it clear that this would be her final statement, confirming she will not be engaging further publicly on the matter.

“Moving forward, it will just be me and my baby, and I am fully focused on building a healthy, happy future for us.”

While the relationship has come to an end, she emphasised that Gash1 remains the father of her child.

The announcement has sparked widespread reactions online, with fans expressing shock, heartbreak, and support for both parties as one of Mzansi’s most loved couples goes their separate ways.

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Swazi, who became a fan favourite on the Mzansi Magic show, shared the news following the season finale, which aired on Sunday.

Taking to TikTok, she described her time on the show as a meaningful journey and thanked viewers for their support.

“Thank you so much to our people for watching us; it has been a journey of ups and downs, but my children and I are grateful,” she wrote.

During the final episode, Swazi had a candid conversation with her husband, urging him to listen more to their children. It was in this moment that she revealed she is no longer part of the Xaba family.

“I am no longer a part of the Xaba family; my journey with Nonkosi has come to an end,” she said.

Her decision has sparked mixed reactions online. While many applauded her for choosing herself and prioritising her well-being, others expressed uncertainty about the situation.

Social media user Londiwe Shangase commented: “Would I be a bad person for not being happy for her regarding the decision she made?”

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Hlophe said his resignation follows internal disagreements over efforts to have local gospel artists from Nkomazi included in the Ligwalagwala FM Birthday Bash line-up.

According to Hlophe, he was asked to write a letter to the event organisers advocating for the inclusion of gospel artists. However, he raised concerns that the directive did not come from the association collectively.

“I resigned today after I was asked yesterday to write a letter fighting the Ligwalagwala FM Birthday Bash organisers and demanding that they include gospel artists from Nkomazi in the line-up. As much as I believe in pushing for the growth of local artists, especially my friends and peers, I could not allow my name to be in that letter,” he said.

He added that the decision was not taken by the full committee.

“It was not a collective mandate, hence it became even harder for me to execute,” he explained.

In his formal resignation letter addressed to the association’s president, Hlophe cited increasing personal commitments as another reason for stepping down.

“Please accept this letter as formal notice of my resignation from my position as Secretary General of the Nkomazi Gospel Artists Association, effective immediately. This decision has not been an easy one to make. However, due to an increasing number of projects that require my full and undivided attention, I am unfortunately no longer able to dedicate the time and commitment that the association rightfully deserves,” he wrote.

Hlophe expressed gratitude for the opportunity to serve in the role and wished the association success going forward.

“It has been an honour to serve in this role and to contribute to the growth and development of the association. I am truly grateful for the opportunity to work alongside such dedicated and passionate individuals. I wish the Nkomazi Gospel Artists Association continued success in all its future endeavours,” he said.

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His Majesty King Buyelekhaya Zwelibanzi Dalindyebo, alongside the royal household, extended warm and heartfelt congratulations, describing the achievement as a moment of pride not only for the kingdom but for the broader legal and academic community.

Dr. Mpahlwa’s journey to this accomplishment has been one of dedication and deep intellectual commitment. Over the past decade, his research has focused on how language is used within South African courtrooms—an area that plays a critical role in ensuring fairness and justice. His work pays particular attention to forensic linguistics and the lingering effects of linguistic inequality.

Recent events in South Africa’s legal system have highlighted just how important his research is. In one instance, translation challenges during proceedings required direct intervention to correct interpretations, raising concerns about the accuracy of courtroom communication. In another case, a police officer admitted to recording statements in a language he was not fully fluent in, leading to inconsistencies in evidence presented before the court.

Against this backdrop, the AbaThembu Royal Family believes Dr. Mpahlwa’s expertise will make a meaningful impact. His work is expected to contribute to improving the integrity of language use in the justice system, ultimately strengthening trust in legal processes.

Beyond his academic success, Dr. Mpahlwa is widely respected for his discipline, professionalism, and commitment to service. As a senior Royal Advisor, legal practitioner, and scholar, he continues to uphold values that reflect positively on both the legal profession and the AbaThembu Kingdom.

The Royal Family expressed deep pride in his achievement, offering words of encouragement for the future: may his success inspire others to pursue excellence and contribute meaningfully to society.

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The Durban-based SABC personality made the announcement in a heartfelt message to fans and event organisers, revealing that her body can no longer handle the demands of performing on stage.

“I greet you in the name of the Lord, Amen. I would like to inform event organisers and music lovers that Mamkhulu, Zimdollar, is now stepping down from hosting Maskandi events. My knees are no longer able to keep up with the dancing as the years have gone by,” she said.

She thanked supporters and organisers for years of collaboration, bringing an end to a long-standing presence in the Maskandi scene.

Zimdollar is known as a multi-talented media personality, with a career spanning radio, music, acting, motivational speaking and education.

Born in eNdabazensangu in the King Cetshwayo District, she has remained a proud representative of her rural roots and a respected voice in the industry.

Her announcement quickly sparked strong reactions online.

Award-winning Maskandi artist Mthandeni Manqele reacted with a brief but striking comment, saying “Finally,” while social media users remained divided.

Some praised her for knowing when to step down, thanking her for years of entertainment, while others described her exit as overdue.

The decision marks a significant shift in the Maskandi events space, where Zimdollar had become a familiar and energetic figure on stage.

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Dhlomo, who rose to prominence after winning MTV Base VJ Search 2005, criticised the growing trend after Momo recently failed to appear at a scheduled performance at Marks Pub Shisanyama in Pretoria.

He stressed that promoters invest significant amounts of money into events, and when artists fail to honour bookings, it negatively impacts the entire value chain — from organisers to fans.

Taking to X (formerly Twitter), Dhlomo wrote:

“Someone should warn Kelvin Momo. Some promoters don’t play that. It’s a very dangerous game he’s playing. A missed gig is not just about the money you’re paid, people commit millions to their shows.”

Fans of Momo were left frustrated following the no-show, with sources indicating that this was not an isolated incident. The producer has allegedly missed several other bookings, including shows in Polokwane, Sun City, and the OR Tambo Homage Concert.

In a statement issued on 3 April 2026, Momo’s management apologised for his absence at the Pretoria event.

“Kelvin Momo would like to extend his sincere apologies to all stakeholders, partners, and fans regarding his absence from the scheduled performance at Marks Pub and Shisanyama on 2 April 2026.

“Due to ongoing band rehearsals in preparation for his upcoming Kelvin Momo Live Concert, his schedule was significantly constrained. Unfortunately, this resulted in him missing the last available flight from Durban, which prevented him from attending the gig as planned,” the statement read.

Management added that they understand the disappointment caused and appreciate the patience and understanding of fans and stakeholders. They also reaffirmed that Momo remains committed to his supporters and will make amends at future performances.

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Mbatha hosted his final breakfast show on Tuesday morning and is set to be replaced by former Jozi FM radio presenter Velani “Vee” Mthembu.

In a strongly worded statement, Mbatha claimed that there were internal efforts to push him out of the station.

“There is someone in management that wanted me out by any way possible,” he said.

While he acknowledged the station’s right to make staffing decisions, he expressed concern over the manner in which the matter was handled.

“Ukhozi FM did not renew my contract… this is within their right,” he said.

“However, the process and communication… raised serious concerns.”

Mbatha also questioned the criteria used in the decision-making process.

“The metrics used are deeply concerning,” he said.

He further revealed that he had been offered another slot at the station, but turned it down because he believed it was not suitable for a broadcaster of his experience.

“After careful consideration, I declined due to its structure, scope, and lack of sustainability,” he said.

Mbatha also dismissed speculation that he was leaving radio to focus on ministry work.

“I must correct a misleading narrative… this is not true,” he said.

Although he remained respectful towards the station, he pointed to problems within management.

“My concern lies with how certain individuals within management have handled this matter,” he said.

He concluded by thanking his colleagues and listeners for the support they had shown him over the years.

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In a statement, Sfiso wrote:

“With a heavy heart and immense gratitude, I share the news of my departure from Ukhozi FM. The past seven years have been a remarkable journey, filled with moments of joy and invaluable lessons that have shaped me in ways I never anticipated.

My time at Ukhozi FM truly reflects the idea that we can make plans, but sometimes it is a higher power that directs our path. I intended to join this wonderful station at a different stage in my career, yet when the opportunity arose, I could not turn it down.”

King Sfiso said the platform allowed him to connect with many remarkable people who became like family to him.

“I want to express my heartfelt appreciation to the listeners of Ukhozi FM. Your support and engagement have meant the world to me. We have shared laughs and tears, creating bonds that I will always cherish.

To my dear colleagues, thank you for your unwavering support, your patience with my quirks, and the love you have shown me.

I will carry those memories with me as I move on. I will be taking a break from radio for a few months, but you can be sure that you will be the first to know when I am back behind the mic again.”

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Born Sibusiso Blessing Sibisi, the 25 year old Qwellers co founder has built a strong reputation as one of the most exciting voices of his generation. With Nosange, he delivers a bold and introspective body of work that blends storytelling, culture and sound into a debut that feels both personal and groundbreaking.

At the centre of the album is a moving tribute to his mother.

“I named the album after my mom, Nosange, which also means to take care and nurture. My mom was a singer and wanted to perform in front of a big crowd. That did not happen for her, and instead it was passed on to me and I am living her dream,” he says.

The album is rooted in real life experiences, with Lowfeye intentionally using music to tell his story.

“With this project, I wanted people to understand where I come from and how I became the person I am today,” he explains.

Coming from Dundee in KwaZulu Natal, a town often overlooked in the national spotlight, Lowfeye uses Nosange to represent his roots and elevate his community.

“I have always wanted to represent my community. Dundee is a small, beautiful town and I wanted to put it on the map,” he says.

The project also stands out for its sound. On tracks like “ETHekwini” and “Sosobala,” Lowfeye blends Afro pop, R&B and Maskandi influences into hip hop, creating a unique sonic identity that pushes beyond traditional genre limits.

“I am classified as a rapper, but I just want to be called a musician,” he says.

The album features collaborations with established names such as Sjava, Shwi Mantombazane and Danya Devs, bringing together different generations and musical styles in a way that strengthens the album’s impact.

It also builds on his growing success, including a double platinum achievement for his feature on “Typhoon,” which introduced many listeners to his distinct sound.

More than just a debut, Nosange is a statement. It reflects a new wave of South African hip hop where artists are breaking boundaries, embracing identity and telling deeper, more meaningful stories.

For Lowfeye, this is not just an album. It is legacy, purpose and the beginning of something much bigger.

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The song signals a major turning point in her career, marking her transition from a celebrated backing vocalist to a fully realised solo artist with a clear sound, identity and spiritual mandate.

Known for her work with leading gospel platforms Women in Praise and Spirit of Praise, Jodwana has spent years honing her craft behind the scenes. Now, she emerges with a bold and personal offering drawn from her upcoming album The Throne of Grace.

More than just a song, Ngcwele Jesu is a spiritual expression born from reflection, purpose and a deep desire to minister through music.

Her journey began at just 13 years old as a backing vocalist in her community. She later sharpened her skills at the Music Academy of Gauteng under the late Dr Johnny Mekoa, studying music and broadcasting engineering, a foundation that continues to shape her artistry today.

Raised in Kwa Thema and Duduza by her grandparents in a devout Christian home, Jodwana says her calling has always been clear.

“I was raised by my grandparents, Gogo and Mkhulu Mokoena, in Duduza. I grew up in a loving Christian family. I started singing at church when my Uncle Leon introduced me to gospel music,” she says.

“I remember one day at school, I was very shy, but I started singing and everyone clapped for me. From that moment, I never stopped.”

That early spark has grown into a powerful ministry.

“Growing up, I loved gospel ministers. I always knew that one day I would be the one holding the microphone and preaching the good news,” she reflects.

Interestingly, Ngcwele Jesu came to her unexpectedly during the creation of her album.

“We were preparing The Throne of Grace when a friend sent me the song. After pre production, I was so excited by how it sounded. I could not wait to perform it,” she explains.

After three years of waiting, the release now feels perfectly timed.

“I am so thankful that Ngcwele Jesu is the first song we are releasing from the album,” she says.

Her experience working alongside gospel greats has also shaped her mindset.

“I have learned to have a strong character and never look down on myself. You do not need to copy anyone, just be yourself,” she says.

Stepping into the spotlight has required courage and clarity.

“Being part of Women in Praise and Spirit of Praise was a blessing, but stepping out meant discovering my own sound and identity,” she shares.

Beyond singing, Jodwana has expanded her talents as a presenter, MC and vocal coach, a move that has strengthened both her confidence and versatility.

“I challenged myself to discover my hidden talents, and that helped me grow in confidence and connect with great people in the industry,” she says.

With Ngcwele Jesu, her mission goes beyond music.

“I want listeners to feel revived and reminded that God is at the centre of everything,” she says. “I believe in growing with time while staying true to who I am.”

As she embraces this new chapter, Jodwana is already looking ahead.

Fans can expect her full album, national tours, international tours, and more music as she continues to rise as one of gospel’s most promising voices.

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